<para>
The <guilabel>Processor</guilabel> control allows you to select a
-process to apply to the audio before it goes into the DCP. Three processes are currently provided:
+process to apply to the audio before it goes into the DCP. One process is currently provided:
</para>
<itemizedlist>
The remaining L/R parts will be kept in the L/R channels of the DCP.
This may be useful to make near-field L/R mixes more compatible with
cinema audio systems.</listitem>
-<listitem>Stereo to 5.1 up-mixer A — this will take a stereo input and up-mix it to ‘fake’ 5.1. The input L/R are treated as follows:
-<itemizedlist>
-<listitem>DCP L is input L bandpass-filtered between 1.9kHz and 4.8kHz.</listitem>
-<listitem>DCP R is input R bandpass-filtered between 1.9kHz and 4.8kHz.</listitem>
-<listitem>DCP C is input L mixed with input R, taken down by 3dB and then bandpass-filtered between 150Hz and 1.9kHz.</listitem>
-<listitem>DCP Lfe is input L mixed with input R, taken down by 3dB and then bandpass-filtered between 20Hz and 150Hz.</listitem>
-<listitem>DCP Ls is input L bandpass-filtered between 4.8kHz and 20kHz.</listitem>
-<listitem>DCP Rs is input R bandpass-filtered between 4.8kHz and 20kHz.</listitem>
</itemizedlist>
-<para>
-This upmixing algorithm is due to GĂ©rald Maruccia.
-</para>
-</listitem>
-<listitem>Stereo to 5.1 up-mixer B — this uses a different approach:
-<itemizedlist>
- <listitem>DCP L is input L.</listitem>
- <listitem>DCP R is input R.</listitem>
- <listitem>DCP C is input L + input R taken down by 3dB.</listitem>
- <listitem>DCP Lfe is DCP C bandpass filtered between 20Hz and 150Hz.</listitem>
- <listitem>DCP Ls and Rs are input L - input R with a 20ms delay.</listitem>
-</itemizedlist>
-</listitem>
-</itemizedlist>
-
-The up-mixers are not particularly advanced and should be used with care. You are strongly advised to check how the DCPs sound in a cinema if you have used one of DCP-o-matic's upmixers.
<!-- ============================================================== -->
<section xml:id="sec-reels">
<para>
From this dialogue you can select the required output format,
output file and, in the case of MP4, the quality of the output
- file. Higher quality files will, of course, be larger.
+ file (by setting the <ulink url="https://trac.ffmpeg.org/wiki/Encode/H.264#crf">CRF value</ulink>).
+ </para>
+
+ <para>
+ The useful range of CRF values is from 17 (high quality but large file size) to 28 (smaller file size and still reasonable quality).
+ </para>
+
+ <para>
+ The time needed to export, and the resulting size, depend partly on the DCP resolution set in the project. To change that, see chapter <xref linkend="ch-dcp"/>.
</para>
<para>
<title>Verifying DCPs</title>
<para>
- The player also offers a DCP checker. To check a DCP,
+ The player also offers a DCP verifier. To check a DCP,
open it and then select <guilabel>Verify DCP</guilabel> from the
<guilabel>Tools</guilabel> menu.
</para>
<para>
- The validator will report three kinds of problems:
+ The verifier will report three kinds of problems:
</para>
<itemizedlist>
- <listitem>Errors — serious problems with the DCP that are likely to cause problems on playback.</listitem>
- <listitem>Bv2.1 errors — errors described by the <ulink url="https://ieeexplore.ieee.org/stamp/stamp.jsp?arnumber=9161348">SMPTE Bv2.1 standard</ulink>.</listitem>
- <listitem>Warnings — small problems that may not matter.</listitem>
+ <listitem><emphasis>Errors</emphasis> — serious problems with the DCP that are likely to cause problems on playback.</listitem>
+ <listitem><emphasis>Bv2.1 errors</emphasis> — errors described by the <ulink url="https://ieeexplore.ieee.org/stamp/stamp.jsp?arnumber=9161348">SMPTE Bv2.1 standard</ulink>.</listitem>
+ <listitem><emphasis>Warnings</emphasis> — small problems that may not matter.</listitem>
</itemizedlist>
+ <para>
+ The following sections list what the verifier checks for in each category.
+ </para>
+
<section>
<title>Errors</title>
<xi:include xmlns:xi="http://www.w3.org/2001/XInclude" href="verify_errors.xml"/>